DVD Review: Barenboim on Beethoven

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Daniel Barenboim owns Beethoven! Watching this set of DVDs and listening to his magnificent performances shows why Barenboim is clearly the pre-eminent performer of Beethoven’s 32 piano sonatas. While many will disagree – after all, there are countless recordings by dozens of performers – what comes through after seeing these recitals is the deep familiarity that Barenboim has with the music. Playing these sonatas for some fifty years, they have become a part of him.
This set contains a series of eight recitals that Barenboim performed in Berlin in 2005, together comprising all 32 of the sonatas. Each recital lasts about an hour and a quarter or an hour and a half, and contains four sonatas, early, middle and late. The programs themselves work well, but any selection of sonatas played by Barenboim would be fine. The camera work is among the best I’ve seen for this type of performance; there are enough different camera angles to keep it from being repetitive, and the intensity of watching Barenboim perform is enough to trump the limits of filming. The sound is in PCM stereo or Dolby Digital 5.1; the surround mix is excellent.

Barenboim has already recorded the complete Beethoven sonatas twice: once for EMI when he was in his late twenties, and a second time for DG in the 1980s. One could say that these live recitals are closer to the second recording; slow tempi, much rubato, a great intensity and an often meditative approach to the music. Barenboim shines in the late sonatas, and at the end of the op. 111 sonata (no. 32), his intensity is such that he has to wipe tears from his eyes. But the early Haydnesque/Mozartian sonatas are also wonderful, with a full range of youthful passion.
In addition to the eight recitals, this set contains two DVDs of master classes, where Barenboim shares his knowledge and experience with six young pianists. While much of the discussion is quite technical, even non-musicians will find some of the comments illuminating, providing insights into music in general and these sonatas in particular.
This set is perhaps my best musical purchase in years. I plan to watch these recitals many times, and have gotten many insights into the music – some of the best for piano – simply by watching it performed.
Posted: 12/11/2008 by kirk | Filed under: Music | 2 Comments »
Hi Kirk,
thanks for your review. I have a couple of doubts I’d like to share with you. do you know if the result on dvd was really taken only through the live recordings or if there were patch studio sessions at a later point? (usually there are). About the camera work…I do not understand how he could film the closer angles without any camera at the side of the keyboard and beyond the piano. I would say at least for camera reasons every sonata was recorded once in “studio” i.e. before or after the concert but without the presence of the audience. I’d like to know your thoughts about it. Thanks again,
Elena
As near as I can tell, it was all recorded live. You can see the audience at times, and while there are many camera angles, you sometimes see how small the cameras are. No idea about overdubs; that’s certainly possible, in the bits where you don’t see his hands.