As part of my recent Miles Davis binge, I bought two books about the musician. Miles Davis: The Definitive Biography, by Ian Carr (Amazon.com, Amazon UK) and Miles: The Autobiography (Amazon.com, Amazon UK). Both of these books give great insight into Miles’ career, and his music.
Ian Carr’s biography is clearly that of a fan. He likes almost all of Miles Davis’ music, even the later albums, which, arguably, are greatly inferior to most of what Miles recorded. He also analyzes the music, somewhat. He discusses most of Miles’ recordings, describing the music. For example, regarding Bitches Brew, he says:
The ensemble pauses, then starts again, and Miles plays a few phrases and then stops.
Descriptions of music like this aren’t very useful, unless you have the music to listen to; and even then, I’m not sure what they add to understanding either a musician’s life or his music.
But Carr is exhaustive, and does seem to discuss every recording session, and every album. He paints a detailed picture of Miles’ life, presenting both the good and the bad without passing judgement. The book also contains a detailed biography, and a discography listing every session Miles recorded.
As for the autobiography, this is Miles Davis creating his own story. Written with Quincy Troupe, the book was taken from interviews, and reads like Miles spoke. Which means there are lots of “fucks” and “motherfuckers.” Miles seems to tell things as they were, even many of the less respectable things he did in his life. However, Miles comes off as being fairly racist; he rails a lot about white people. If a white person wrote a book like this and said the same things about black people, it would be criticized. Granted, Miles had to put up with a lot of racism in his time, and he did work with white musicians, but it still comes off as angry.
Nevertheless, reading two sides of Miles Davis’ life is interesting. If you’re a fan, it’s worth checking these books out. The biography is more interested, but could have done with some editing to tighten it up. The autobiography, however, lets you hear Miles Davis in his own voice.