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Martin Scorsese to Produce Grateful Dead Documentary for Band’s 50th Anniversary

The Grateful Dead will celebrate the band’s 50th anniversary with an authorized feature documentary that will be directed by Amir Bar-Lev, helmer of the superb films The Tillman Story and most recently the Penn State football scandal Happy Valley. Martin Scorsese, whose own rock docus have provided the template for how to make these kinds of movies, will be executive producer along with Emma Tillinger Koskoff, Andrew Heller, Sanford Heller, and Rick Yorn. Longtime Grateful Dead archivist David Lemieux will serve as the film’s music supervisor.

The makers say their as-yet-untitled film will include never-before-seen footage of performances and backstage stuff involving the band, as well as new interviews with surviving members Mickey Hart, Bill Kreutzmann, Phil Lesh, and Bob Weir, as well as many other characters and pranksters from the Dead universe. This goes back to the band’s formation in the Bay Area amid the rise of the psychedelic counterculture of the ’60s. 

Yowza!

Grateful Dead Documentary: Martin Scorsese & Amir Bar-Lev Behind Movie | Deadline.

Bigger is better. Isn’t it?

!It’s a common misconception to measure expected audio quality in terms of bitrate. Intuitively, it seems as if more data will mean higher quality, but this isn’t always the case. The trouble with lossless codecs is that they’re very inefficient – even a compressed lossless format like FLAC or ALAC is generally encoding things that humans simply cannot hear.

[...]

People don’t seem to have a problem with this when it comes to pictures. Nobody says “I won’t look at a website unless all the images are TIFF files”, because that’s plainly ridiculous. We’ve all seen badly compressed images on the Internet, and we’ve all seen beautiful ones too. We understand that “what it looks like” is the reliable measure of, well, what it looks like.”

A good discussion of music compression, and the fallacy of thinking that bigger is better.

However, in his footnote, Mr. Doe makes a fundamental error; just because there are higher frequencies in high-resolution music files doesn’t mean that a dog will think they sound better. They will certainly have more audible frequencies, but it’s a truly subjective thing, from the canine point of view, whether those frequencies are desirable, and whether they improve the music.

via Bigger is better. Isn’t it? | Proper Discord.

It’s Now Legal to Rip CDs in the UK

As of today, it is legal to rip CDs in the United Kingdom. Because, before, it wasn’t. If you bought a CD and ripped it to add to your iTunes library, well, you were breaking the law. Seriously. (I wonder if they every prosecuted anyone for that offense…) But “personal copying for private use” is […]

It’s Not Just Pop Music That’s Over-Compressed

Much has been written about “the loudness wars,” the trend for music to be over-compressed. This isn’t the kind of compression one talks about when discussing, say, MP3 files; this is audio compression, or dynamic range compression, which reduces the differences in loudness in a song so the entire song can be louder. When a […]

The Grateful Dead Get High-Res; But They’re a Bit Confused

As more and more vendors and artists try to jump on the high-resolution bandwagon, it’s clear that a lot of them are confused. Take this example of the Grateful Dead. Yesterday, the band send out an email saying that they now have “High Definition Dead.” And they are offering high-definition – or high-resolution – files […]

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