CD Review: Murray Perahia, The First 40 Years

10/06/2012

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It’s been a good year for big classical box sets. Whether you’re a fan of Arthur Rubenstein or Glenn Gould, whether you’re interested in old Mercury Living Presence recordings or Karajan’s recordings from the 1960s, on Toscanini’s complete RCA recordings, you’ll find something to fill your shelves and your ears.

I’ve gotten three such sets recently: the 90-CD Yo-Yo Ma: 30 years Outside the Box set; the 42-disc Glenn Gould Complete Bach Collection, and, now, the Murray Perahia, The First 40 Years set. Interestingly, all three of these are from Sony, who is making a big effort lately to re-release back catalog in big boxes at bargain prices. (The Yo-Yo Ma was released in 2009, but the Gould and Perahia are new; in fact, they’re out in Europe at the time of this writing, but not yet in the US.)

All of these boxes are produced in a similar manner. The CDs are in slim wallet sleeves, with original artwork on them, and either the original backs from LPs in miniature or the flip side, or, for those discs originally released on CD, a track list that you can actually read. (The miniature LP notes require a microscope to read.) They’re snuggly fit inside the box, and each of these sets has a hardcover book. The Murray Perahia book is the largest of all, in part because the 5 DVDs in the set are in an actual DVD-sized digipack; in the Glenn Gould set, the 6 DVDs are in the same kind of sleeves as the CDs.

In all of these cases, the books are attractive and informative. They contain essays, photos and information about the discs. The Perahia book, being the largest, has the most notes about the discs, reproducing the original liner notes from each release.

Murray Perahia’s répertoire is fairly standard: There’s a lot of Mozart (all the piano concertos), Chopin, Schumann, Schubert, Beethoven and Bach. There’s a bit of Bartok, Brahms and Mendolssohn,, a disc of Handel and Scarlatti, but that’s about it. Perahia was never an adventurous musician in his recordings, he didn’t stray from well-worn paths. I’m mostly familiar with his work in the Mozart piano concertos, which are wonderful, but when I actually discovered his pianism was when he released a recording of Bach’s Goldberg Variations in 2000. This followed a period when he had a serious problem with one of his hands, which caused him to stop playing for several years. During this time, he studied Bach closely, and even played the harpsichord (which requires a bit less hand strength), and his Goldberg Variations, played on piano, have a unique sound, no doubt influenced by that period of harpsichord playing. Following this period, he recorded a number of works by Bach – notably the English Suites and Partitas – for the first time.

There’s a lot of music in this set, all of it familiar, but I’m looking forward to discovering this pianist whose approach is never dull and often interesting. One nice bonus is the 5 DVDs included, one of which features Perahia accompanying Dietrich Fischer-Dieskau in Winterreise, from 1990.

It’s true that this big box sets can be overwhelming, and they take a long time to listen to. But at about $2-3 per disc, they are rich with discoveries, and when the performer is of this quality, there is rarely a dull disc. I’ve been delighted with the Yo-Yo Ma box set. While many of his recordings are far from being the best versions of their works, his repertoire is broad, and his playing is always skilled and interesting. As for Glenn Gould, I have known all of his Bach recordings for a long time, and this new set offers a number of un-released recordings, along with several DVDs. I’m looking forward to box sets of two of my favorite performers: pianist Alfred Brendel, who retired from the stage in 2008, and the late Dietrich Fischer-Dieskau, who died earlier this year. While I have many recordings by each of them, these comprehensive box sets allow one to fill in the gaps and discover the less well-known recordings that one may have missed.