DVD Review: Barenboim on Beethoven

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Daniel Barenboim owns Beethoven! Watching this set of DVDs and listening to his magnificent performances shows why Barenboim is clearly the pre-eminent performer of Beethoven’s 32 piano sonatas. While many will disagree – after all, there are countless recordings by dozens of performers – what comes through after seeing these recitals is the deep familiarity that Barenboim has with the music. Playing these sonatas for some fifty years, they have become a part of him, and this shows in the way he performs these works with such conviction. (And without scores, which, alas, too many performers depend on.)

This set contains films of a series of eight recitals that Barenboim performed in Berlin in 2005, comprising all 32 of the sonatas. Each recital lasts from an hour and a quarter to an hour and a half, and contains four sonatas, a mixture of early, middle and late works. The programs themselves work well, but any selection of sonatas played by Barenboim would be fine. The camera work is among the best I’ve seen for this type of performance; there are enough different camera angles to keep it from being repetitive, and the intensity of watching Barenboim perform is enough to trump the limits of filming. The sound is in PCM stereo or Dolby Digital 5.1; the surround mix is excellent.

Barenboim has already recorded the complete Beethoven sonatas twice: once for EMI when he was in his late twenties, and a second time for DG in the 1980s. One could say that these live recitals are closer to the second recording; slow tempi, much rubato, a great intensity and an often meditative approach to the music. Barenboim shines in the late sonatas, and at the end of the op. 111 sonata (no. 32), his intensity is such that he has to wipe tears from his eyes. But the early Haydnesque/Mozartian sonatas are also wonderful, with a full range of youthful passion.

In addition to the eight recitals, this set contains two DVDs of master classes, where Barenboim shares his knowledge and experience with six young pianists. While much of the discussion is quite technical, even non-musicians will find some of the comments illuminating, providing insights into music in general and these sonatas in particular.

This set is perhaps my best musical purchase in years. I plan to watch these recitals many times, and have gotten many insights into the music – some of the best for piano – simply by watching it performed.

Update: This set is now available on CD, but in sonata order, 1-32, rather than grouped by recital as on the DVDs.




5 replies
  1. elena says:

    Hi Kirk,
    thanks for your review. I have a couple of doubts I’d like to share with you. do you know if the result on dvd was really taken only through the live recordings or if there were patch studio sessions at a later point? (usually there are). About the camera work…I do not understand how he could film the closer angles without any camera at the side of the keyboard and beyond the piano. I would say at least for camera reasons every sonata was recorded once in “studio” i.e. before or after the concert but without the presence of the audience. I’d like to know your thoughts about it. Thanks again,
    Elena

    Reply
  2. kirk says:

    As near as I can tell, it was all recorded live. You can see the audience at times, and while there are many camera angles, you sometimes see how small the cameras are. No idea about overdubs; that’s certainly possible, in the bits where you don’t see his hands.

    Reply
  3. Robert Westcott says:

    In his earlier career I often thought Barenboim was too fussy, dwelling on notes at the expense of the overall flow. Now in his mature years he is amazing — he ‘owns’ Beethoven, as you say.

    His performance of the 9th with the East / West Divan orchestra is incandescent — best in a decade. I recommend it you have not come across it.

    Cheers

    Reply
  4. shiveringgoat says:

    Lovely. I remember seeing the masterclass on BBC. I have the DG cycle, great playing although my-favourite cycle is Richard Goode overall and Pollini in the later ones. There’s always room for another recording of Ludwig Van piano sonatas, RIGHT RIGHT?!
    I have 12 different cycles of the Beethoven symphonies but I really recommended this budget price set by Zinman, it’s a fantastic cycle at budget price, it’s got the freshness of a period orchestra but the power of a full modern http://www.amazon.co.uk/Beethoven-Complete-Symphonies-Ludwig-van/dp/B00000IFP6/ref=sr_1_1?s=music&ie=UTF8&qid=1362692327&sr=1-1 if anyone is interested.

    Reply
  5. Bruce says:

    Thanks, Kirk…your review has revived my curiosity to get these DVDs. My favorite is Brendel, with Andras Schiff a close 2nd (his commentary on the entire 32 sonatas on the Guardian UK website is a treasure). Schnabel is definitive, but recorded in the 20s- old sound. I’ve always loved Barenboim’s playing, but for me, the problem is I find videos are distracting from concentrating on the music. I’m going to see if I can get them from iTunes so I have the option to watch or listen on my devices (iphone/iPad) as I wish.

    Reply

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