DVD Review: Les Misérables (French mini-series)

51Qp5nxXi4L._SL500_AA300_Buy from: Amazon.com | Amazon UK | Amazon FR | Amazon DE

This 4-part, 6-hour TV adaptation of Les Misérables has a lot going for it. First of all, the length; it’s the longest adaptation of the novel (arguably the greatest French novel of the 19th century, and one of the longest). It has a large cast, with some excellent actors. Unfortunately, it’s filmed in the typically bland style of French TV, and the direction is nothing more than workmanlike. When I first started watching this, I was almost tempted to give up after 15 minutes. But it got better over time. (I had similar thoughts when watching a recent mini-series based on Proust’s A la recherche du temps perdu by the same director, also made for TV.)

Gérard Depardieu plays Jean Valjean, and, for me, he doesn’t quite fit the part. He’s too big, too brash to have the subtlety the character needs. On the other hand, John Malkovich is an excellent Javert, though his dispassionate portrayal of the character can be seen as a bit too distant. Christian Clavier is Thénardier, and seems a bit out of place. A comic actor, generally in simple comedies, his persona doesn’t quite fit. However, Virginie Ledoyen is nearly perfect as Cosette, with her innocence and fetching smiles.

But the main problem here is that everything is too clean, too heroic and idealized. Hugo did not write a novel where everyone is washed and shaved; he wrote about “les misérables,” the downtrodded, the poor. These are people who suffer, not people with clean shirts all the time. In this adaptation, everything is just a bit too perfect. (It’s totally different from the recent adaptation of the musical, which, for all its faults, does show the characters in squalor.)

The good points here are the length: at 6 hours, you do get much more of the story – and it is a complex story – than other versions. But the mediocre direction, so-so acting, and overall approach make it lose points. It’s worth watching if you’re a fan of the novel.

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    Posted: 2/7/2013 by | Filed under: books, Films & TV Tags: , | 5 Comments »

    What if Apple Made a Landline Phone?

    Have you ever wondered what an Apple landline phone might look like? I did. And I wrote about it for Macworld.

    You may disagree with the idea, but I think it would be very useful.

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      Posted: 1/29/2013 by | Filed under: Apple & Mac OS X, iPhone Tags: , | 2 Comments »

      New Lockscreen Music Controls in iOS 6.1

      Apple has released iOS 6.1, the latest update to the operating system for the iPhone, iPad and iPod touch. A minor change has been made to the lockscreen music controls – these are visible if your iOS device is locked, and you double-press the home button. Instead of displaying the time in a huge font, and the name of what you’re listening to below the slider, these small texts are above the fold, and the time is missing (it’s visible in the toolbar already, so it doesn’t need to be so big).

      This lets you see more of your lockscreen wallpaper, which is, I guess, useful, but I’d much rather see more playback controls there: perhaps the shuffle and repeat buttons that you get in the Music app itself, or even the Genius button. Since I do use the lockscreen controls often when listening to music, it would be nice for those controls to provide the same access to features as the Music app. It would also be nice to be able to view lyrics from the lockscreen.

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        Posted: 1/29/2013 by | Filed under: Apple & Mac OS X, iPad, iPhone, iPod & iTunes Tags: , , , | No Comments  »

        Just Out: Take Control of iTunes 11: The FAQ

        iTunes-11-cover_160x136My ebook, Take Control of iTunes 10: The FAQ was a best-selling compendium of tips, tricks and explanations about how to use iTunes to wrangle your digital media collection. And now, with iTunes 11 pulling the rug out from under long-time iTunes users, I’ve updated the book to cover all the new features in iTunes 11.

        Take Control Books has just released Take Control of iTunes 11: The FAQ. At 192 pages for the PDF edition (page counts aren’t relevant to ePub and Kindle versions), there are dozens of pages of new and updated content in this second edition. Priced at $15 (with special upgrade prices for owners of the first edition), this book helps you appreciate and understand the process of bringing media into iTunes, tagging it, adding album artwork, and organizing it into playlists.

        Once you’ve become an import specialist and tagging genius, you can enjoy your music, movies, audiobooks, and ebooks, and more without hassles when you want to do something special. Learn how to sync a select subset of music to your iPod, create a party playlist, identify music you haven’t heard in a while, listen to the chapters in an audiobook in the proper order, or get the most out of iTunes in the Cloud features, including iTunes Match.

        And this book takes a close look at features new to iTunes 11: the new ways to view your content, how to use the Up Next song queue feature, how to get the most out of the MiniPlayer window, how to search and much more.

        To see what’s new in Take Control of iTunes 11: The FAQ, go to the link below and click the What’s New tab.

        So, if you want to be an iTunes power user, get a copy now – in PDF, ePub or Kindle format, or any combination of the above – from Take Control Books

        Watch me or hear me discuss the book on the Mac Voices podcast with Chuck Joiner.

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          Posted: 1/24/2013 by | Filed under: books, iPod & iTunes | 3 Comments »

          Fujitsu Scanner: My Second Device Fails With Same Problem as First

          I wrote not long ago about some terrible customer service from Fujitsu regarding a recently acquired S1500 M scanner. I got the scanner replaced finally from the Apple online store here in France, and it turns out the replacement has exactly the same problem.

          I’ve narrowed it down to color scans: the scanner can automatically detect color and black and white, and scan accordingly. Since most of the scans I did the first time around were black and white, it only showed up occasionally, but I’m seeing exactly the same thing now: the colored lines you see below.


          scanner

          Fujitsu’s technical support told me this was a hardware problem; so what’s odd is getting two units with exactly the same problem. This suggests that there’s a whole series of bad scanners out there, and I’m not really tempted to get another only to have the same problem.

          I’ll contact Apple soon – after I’ve finished scanning my accounting files, in black and white – and see what they want to do. But I’m disappointed that this scanner, which has gotten excellent reviews, has a repeatable problem like this.

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            Posted: 1/15/2013 by | Filed under: Miscellanea Tags: | No Comments  »

            Tour de Front Row

            11

            Photo © charel.irrthum used under Creative Commons license. Thank you.

            (This article was originally published in Issue 5 of The Magazine)

            If you count the number of people who watch the Tour de France in person, the race is the most popular sporting event in the world. The playing field encompasses the roads of France, and three-quarters of French people have seen the Tour go by at least once.

            From open roads to steep, sinuous climbs, spectators line the roadside to watch the peloton — the pack of riders — go by for just a few seconds. Some people drive up mountain roads in campers and wait for two or three days to catch a glimpse of their favorite riders, and others just walk out in front of their homes.

            Its logistics rival that of an army heading off to battle. There are hundreds of vehicles, thousands of people, and a schedule that has to be respected to the minute across more than 3,000 kilometers (1,900 miles) over three weeks, all for a sporting event that attracts about 12 million spectators from dozens of countries. And, best of all, it’s free.

            For a dozen years, I lived on the outskirts of a town in the French Alps, on a road leading up to one of the toughest climbs in the race: the Col d’Izoard. The route of the Tour de France changes each year, but the race comes back often to the most spectacular climbs, such as that mountain. In 12 years, the Tour de France came past my house three times; other cycling races, heading to or from the same climb, whizzed by a few times as well.

            The big picture

            Napoleon Bonaparte said that an army marches on its stomach. The army of the Tour de France, which enables spectators to see the race for a few seconds, consists of 4,500 people, 2,400 vehicles, 198 riders and their retinues, and an “advertising caravan” of 160 vehicles that toss 14 million tchotchkes to spectators lining the roads. A phalanx of daredevil motorcyclists carry camera operators to show the race from inside the pack, and helicopters and airplanes help beam live video to satellites for broadcast in 190 countries.

            As for the spectators, the 12 million watchers stay there an average of six and a half hours — though to get a good seat in the toughest climbs, you need to stake out your spot a couple of days ahead of time. And keeping order is no mean feat either; there are more than 23,000 law-enforcement officers involved during the three-week period.

            But none of that matters when you’re watching the Tour in your own town.

            Getting in gear

            While catching a glimpse of the Tour de France is a day trip for many, there’s little preparation when the race comes right in front of your house. You first need to find out roughly what time the race will be passing. The Tour de France’s web site shows estimated times, but the easiest way to know when it’s closing in is to put on the TV.

            French broadcast TV channels show from four to eight hours a day of the Tour, depending on the stage. For the grueling mountain climbs, either on weekends or the July 14th holiday, they generally show the entire stage. If you watch where the race is, you’ll have an idea how long before it reaches you.

            Even with the TV off, however, you can’t miss the Tour de France convoy coming your way. It starts early in the morning, or even the night before, as crews come through with trucks and put up barriers to block every intersection along the route. (Think about how much work this is, with stages that can be over 200 km or 125 miles.) There’s also a member of the local or national police at just about every intersection and in areas likely to attract a lot of viewers.

            Then come the cars. Dozens of cars. Hundreds of cars. A couple thousand cars, in fact, heading from the city where they spent the night to the town where the day’s stage will finish. Starting at mid-morning, with the roads closed to normal traffic, you see car after car containing team crews, journalists, and race organizers heading along the road. There are periods where the road is quiet, but never for more than a minute or so.

            Ad mad

            About an hour before the first cyclists are due to come begins the first attraction of the day: the advertising caravan.

            The Tour de France is not a charity: it’s a privately-run moneymaking operation. With a total purse of some €3.5 million (about $4.5 million), the race needs income. Part of this is borne by the cities and towns that host the Tour: it costs €60,000 ($78,000) to be the town where a stage starts and €90,000 ($117,000) for a finish. In addition, the town must provide infrastructure and cover expenses for security; in 2011, the small resort town of l’Alpe-d’Huez spent €280,000 ($364,000) on this. Of course, these towns benefit from the many people who fill the local hotels and from being nationally and internationally televised.

            But the most visible part of the advertising iceberg is the “caravane publicitaire”: the long advertising caravan of cars, trucks, and floats that heads up the race. Leaving about an hour before the peloton, these vehicles feature booming music and gesticulating young people tossing out samples, stickers, and hats. Kids and adults alike lean forward on the edge of the road trying to grab the goodies tossed their way. And there’s generally one bottled water company that has a float that — you guessed it — sprays water on the spectators, something welcome in hot summers.

            The lull

            After the advertising caravan, there’s a bit of a lull, and most of the locals head back home to watch the race on TV to see when it’s getting closer. (Mobile apps providing live video have made that unnecessary.) For a while, you see the occasional car or motorcycle go by, and spectators gather in little groups to discuss the status of the race, what’s happened in previous stages, and who they think the winner will be.

            If anyone has a radio, people gather around in silence to hear the status of the race, who just attacked, and how much time there is between the leaders and the rest of the pack. And long-time fans of the Tour swap stories about their favorite memories of both current and past cyclists. It’s a relaxed but expectant atmosphere. Anticipation fills the air until the first sounds of the impending arrival. This is the pre-game analysis by the armchair commentators.

            Standing by the side of the road over the years, I’ve met people who’ve followed the Tour for decades, who’ve travelled across the hexagon to watch their heroes.[1] One senior citizen will recount memories of the great Bernard Hinault, and another will raise him, telling of the exploits of the eternal second-place rider, Raymond Poulidor.

            Or someone will recall the 9th stage of the 1996 Tour, which started about two hours north of my town. That day, July 9, the snow was so thick on the Col du Galibier that the stage was rerouted, and shortened from 176 km to only 46. And I share my story of seeing Stephan Roche ride into the center of Dublin on the top of a double-decker bus in 1987, a couple of days after winning that year’s Tour, when hundreds of thousands of people started singing “Molly Malone.”

            Two things give away the fact that the peloton is closing in. There are more motorcycles and cars, but, above all, there are helicopters. To provide excellent TV coverage, the French production team has camera operators on motorcycles and in helicopters, and a plane flies high overhead to relay the images from the ground to satellites.

            The riders approach

            When we hear the hum of the helicopters approaching, we all move a bit closer to the road, and anyone who has a radio or smartphone starts telling others who’s in the lead and by how much. The gendarmes stop their friendly conversations with the spectators and turn their backs on them, ready to ensure that no one runs across the road when the cyclists come.

            Finally, we see the first helicopter flying askew alongside the road. It flies at about a 30-degree yaw so the camera, on the side of the craft, can get good images.[2] The second helicopter is not far behind. And then comes the peloton.

            Now everyone leans forward to get the first glimpse of the sweating riders. Everyone with a camera starts snapping photos, or shooting videos, to remember what it was like this day to watch the champions ride within inches of them. With a number of motorcycles in front to clear the road — a combination of gendarmes, photographers, and camera operators — the mass of bicycles comes up the road with a loud hissing sound: 400 tires rolling on the pavement.

            The pack passes

            As the multifarious beast passes in front of us, we all applaud the superhuman effort required of these riders and cheer on their favorites. We all try to catch a glimpse of our favorite rider. It’s hard to tell them apart, though you can spot the leader easily by his yellow jersey.

            If it’s late in a stage, you can see the suffering on the faces of the riders, and if it’s hot, you see them pouring water over their heads to cool off. At the side of the road, children keep their eyes open for any empty water bottles the riders may toss to the side of the road, hoping to grab the best souvenir of the race that nobody can buy. The lucky ones clutch their souvenir tightly while they try to remember which rider threw it away.

            Sometimes it’s slightly different when there is an “échappée,” or a breakaway. This is when one or more riders leave the peloton to try to either win a stage or simply “show their jersey,” so their sponsors’ logos get on TV for much of the day. In that case, the whole thing is split in two (or more, depending on how late in a stage it is), with cars in front of and behind each group of riders.

            These riders are the real heroes of the race: the ones who push themselves the hardest, only to often get caught just before the finish. They get a rousing round of applause, because everyone knows how hard they worked to stay in front of the pack.

            Or when the peloton is split in several parts, such as during climbs, the “gruppetto,” a group of riders who can’t quite keep up, follows the pack, maybe several minutes behind. We all give them extra special applause, because even those who come in last have suffered, sometimes more than the leaders who have their teammates to help them.

            And it’s over

            And then the riders are gone, followed by dozens of team cars with bicycles perched on their roofs. Then more race cars, a couple of ambulances, another dozen motorcycles, and the “voiture balai,” or the broom wagon, the van that picks up the riders who have given up during the stage and who will ride to the finish on four wheels.

            The traffic thins out over the next few minutes until all that’s left is the memory of the riders whizzing by, and the photos that people start checking on their cameras and cellphones. The gendarmes start removing the barriers from the intersections after the majority of the cars have gone by, then head back to their usual posts.

            Slowly, the spectators gather up their things, say goodbye to the people they’d been chatting with. Some may stick around to share more stories of Tours past, but most head home, where they’ll turn on the TV and watch the end of the stage to see what the race is really about.


            1. The hexagon is a word the French use for their country, because of its roughly six-sided shape.  ↩

            2. The yaw axis is the rotation of a craft against the line of motion in which it travels. A helicopter can hold a yaw rotation while traveling forward.  ↩

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              Posted: 1/13/2013 by | Filed under: Miscellanea Tags: | No Comments  »

              On Flying in the Age of Security, or Trains Are More Fun

              As odd this may seem, I hadn’t flown in airplane since before 9/11. Until yesterday. I’m spending a week in York, England, and flew from Grenoble, the airport nearest my home in the French Alps, to Leeds, the airport nearest York. It was a horrendous experience, especially because the airport at Grenoble was incredibly crowded, but also because of all the time wasted when you travel by air.

              Beyond the security circus, which makes things take so long in airports, I realized that there is another way. Give the excellent train service in much of Europe, and the amount of time you lose at airports, taking a train can, in many cases, be much more practical.

              There are no high-speed trains that go where I live, but there are night trains. I could take a train from my town to Paris, overnight, arrive in Paris at 6 AM, take the Eurostar to London, then get a train to York. While the overnight trip is long, I could sleep through it. This means that the “waking travel time”would be about four hours, plus the time between the stations in Paris. Compare that to the time it took me yesterday. It was three hours to get to the Grenoble airport; two hours waiting online to check bags and security checks; two hours for the flight, plus an hour’s delay; a half hour to get my luggage; and two hours to get from Leeds to York. Granted, if I were going to a city that has an airport, I wouldn’t have needed those two hours at the end of the trip. But the time wasted at the airport is time that could be better spent in other ways. And even if taking a train is a little bit longer, you don’t waste any time with baggage checks, security checks and all the rest of the security circus. And you get to keep your shoes on.

              So next time I travel to York — which will be soon — I’m going to try using the rails.

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                Posted: 1/6/2013 by | Filed under: Apple & Mac OS X | 19 Comments »

                Helping Vini Reilly of the Durutti Column

                vini_reilly_portrait_350

                I’ve been a fan of The Durutti Column for more than 30 years now, and I was very sad to hear that Vini Reilly, the man behind the “band,” has had health problems recently. So I’d like to pass on this message, that was posted on the Official Durutti Column Facebook Group by Matt Reilly, Vini’s nephew:

                “My uncle – The Durutti Column’s Vini Reilly – has hit a bit of a rough patch money-wise, and is currently struggling to cover basic outgoings such as rent, food, electricity, etc.

                Some of you have mentioned that you’d like to make a donation to Vini, which is incredibly kind, so we’ve been working out the best way to do that.

                As Vini doesn’t have internet access, I’m going to use my PayPal account to receive any donations and forward them to his bank account.

                We have looked into the PayPal situation and found out that using a donation button, as we’d previously hoped we might, results in fees being taken by PayPal even if they are personal payments.

                So it seems the best way to do it is for people to just send a personal payment to my Paypal account, simply using my email address – mattreilly@hotmail.co.uk – as the ‘person’ receiving the money.

                It also seems to be better to pay using your bank account rather than credit or debit cards, as that results no fee being charged.

                Otherwise, it seems that about 5% of what people pay may be deducted in fees by PayPal.

                Hopefully that all makes sense.

                Any donation, no matter how big or small, is very gratefully received.

                Thanks in advance

                Matt Reilly”

                If you’re a fan of The Durutti Column, or if you just want to help out a musician in need, I’d be very grateful if you could send some money to Vini through Matt’s PayPal account. This isn’t a scam; I’ve been in touch with Matt Reilly while this was being set up, and I spoke with Vini on the phone the other day about it; he’s very touched by the interest and the help he’s getting from people he doesn’t know, but who, like me, have been moved by his music.

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                  Posted: 1/3/2013 by | Filed under: music Tags: | No Comments  »