You can use a number of different apps to listen to audiobooks on iOS.
No point trying to view your audiobooks by author in the latest version of iTunes.
A correspondent wrote with a question. A friend bought an audiobook from the iTunes Store on his iPad, and wanted to listen to it on his iPhone. But he doesn’t own a computer, and this actually isn’t possible. Why? Because, as Apple says: “If you made a backup of these items on your Mac or […]
“We might be better off with public readings of Shakespeare,” says Harold Bloom in Shakespeare: The Invention of the Human. “Ideally, of course, Shakespeare should be acted, but since he is now almost invariably poorly directed and inadequately played, it might be better to hear him well than see him badly.” Not being able to judge the quality of current Shakespearean performances as the erudite Bloom, I suffer more from a dearth of Shakespeare here in the French countryside.
While we cannot always find such public readings, we can listen to recorded, dramatized versions of the plays, as with this set of Shakespeare’s 38 plays. With a cast of hundreds, most actors from the Royal Shakespeare Company, these works come alive through a skillful combination of reading, sound effects and music. As radio used to do when dramatizing works, the Arkangel set gives you the acting and the atmosphere. While one may be a bit irked by the “original” music, a sort of Coltrane-inspired Elizabethan music–why didn’t they use actual music of the period, including that composed for Shakespeare’s plays?–the overall production quality is about as good as it gets.
In this week’s Ask the iTunes Guy column at Macworld, I discuss an issue with audiobook chapters, and I close by recommending that audiobook listeners buy from Audible.com: Audible’s books can be cheaper than the same books from Apple—you can get a book-a-month plan for $15 a month, and other plans can cost even less. […]