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Pat Metheny on Kenny G and “Musical Necrophilia”

“But when Kenny G decided that it was appropriate for him to defile the music of the man who is probably the greatest jazz musician that has ever lived by spewing his lame-ass, jive, pseudo bluesy, out-of-tune, noodling, wimped out, fucked up playing all over one of the great Louis’s tracks (even one of his lesser ones), he did something that I would not have imagined possible. He, in one move, through his unbelievably pretentious and calloused musical decision to embark on this most cynical of musical paths, shit all over the graves of all the musicians past and present who have risked their lives by going out there on the road for years and years developing their own music inspired by the standards of grace that Louis Armstrong brought to every single note he played over an amazing lifetime as a musician.”

Boom!

JazzOasis.com – Pat Metheny on Kenny G.

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bill-evans

Is Jazz Boring?

Oh, my, over at the Washington Post, they’re getting into click-baiting. A recent article states that All that jazz isn’t all that great, and begins with the following pronouncements: Jazz is boring. Jazz is overrated. Jazz is washed up. To be fair, I have to agree, somewhat. Not so much that jazz is boring, overrated, […]

Book Notes: Miles Davis, Biography and Autobiography

As part of my recent Miles Davis binge, I bought two books about the musician. Miles Davis: The Definitive Biography, by Ian Carr (Amazon.com, Amazon UK) and Miles: The Autobiography (Amazon.com, Amazon UK). Both of these books give great insight into Miles’ career, and his music. Ian Carr’s biography is clearly that of a fan. […]

miles

Essential Music: Miles Davis’ In a Silent Way

Miles Davis’ career spanned nearly five decades, and he was the engine for much change in jazz. From the early be-bop days through his later fusion, Miles covered just about every type of jazz (with the exception of that abomination called “smooth jazz”). From the early records on Prestige, through the seminal Kind of Blue […]

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