“On July 2, 1969, Paul McCartney recorded “Her Majesty” live with his acoustic guitar in Abbey Road Studios. The song, less than 30 seconds long, took three takes get down. It was meant to appear between “Mean Mr. Mustard” and “Polythene Pam” on Abbey Road‘s now-famous B-Side Suite, but on July 30, McCartney decided he didn’t like that sequence. He asked the tape operator, John Kurlander — a young man just starting out in music production — to get rid of “Her Majesty” all together. Kurlander, as the story goes, knew to never destroy a Beatles recording, so he removed the song and instead tacked it on to the end of the album, leaving 14 seconds of blank tape between it and “The End.” When the album was pressed, “Her Majesty” didn’t appear on labels or album covers, making it one of pop music’s first hidden tracks.”
I was interviewed for this article, because I don’t like hidden tracks. It’s interesting to see the lengths that some artists have gone to in creating hidden tracks. But I still think it’s a futile exercise in doing something that’s cool just for the sake of being cool.